>What Is Bollywood?

>Frankly,I do not understand the term.There is no known meaning for the word “Bollywood”.As if this wasn’t enough,we have many more woods.We have the Malayalam film industry called Kollywood,Tamil and Telugu movie industries called Tollywood and a Gujarati film industry called Gollywood.For that matter,what does Hollywood mean?Somebody please enlighten me.I think I agree with what Amitabh Bacchhan said about all these woods,specifically our Bollywood.He condemned the usage of the word,terming it derogatory and copied from the West.I do not have his exact words but yes,the above line sure captures the effect.He has emphasized on calling it the “Indian film fraternity or industry” which I find to be very dignified and agreeable.
Why do we have this innate urge to copy the Western ways,mannerisms and movies?Why can’t we give our rusting brains a much needed exercise instead of spending valuable manpower and resources on diligently copying a movie reel by reel?There are umpteen examples,a few being:
Kyunki Main Jhoot Nahi Bolta copied from Liar Liar.
God Tussi Great Ho from Bruce Almighty
Raaz from What Lies Beneath
Tarzan-the wonder car from Christine
Kuchh To Hai from I Know What You Did Last Summer
Partner from Hitch
Mr. Ya Miss from Its A Boy Girl Thing/The Hot Chick

(refer http://www.bwtorrents.com/showthread.php?t=182059 for the entire list.You might also want to check out http://sxg.in/board/showthread.php/list-of-bollywood-movies-copied-from-hollywood-movies-52172.html)

When asked,the directors and producers of the movies will always tell you that the original was a source of “inspiration” for the current movie.Inspiration,really?Desperation,more like.If you check out the movies made during the 1940s and 50s,the meaning of inspiration becomes clear.No doubt,some movies of those eras were also imitations of old Western classics(sorry,couldn’t get the names),but they were certainly not so blatantly copied and renamed and released.The screenplay writers did permutate and infuse their own essence to the original storyline which made all the difference.
The modern films,with their super luscious locales,glossy looking lead actors and a bunch of song-and-dance sequences thrown in,are a poor poor adaptation of the original one.The percentage of realistic cinema,as far as “Bollywood” is concerned is quite negligable.
Our country produces the most number of movies in the world,according to the Guinness Book of World Records.Doesn’t that count for something?We have incredible talent in every nook and corner of this country.Regional films,made in states like West Bengal,Karnataka,rural Rajasthan etc are worth a watch.And yet we fawn over Sylvester Stallone,Denise Richards and a certain Barbara Mori.The actors are,undeniably,very good at their craft,but why do we need to worship them like demigods?I haven’t had the heart to watch Slumdog Millionnaire after watching the Oscars.I felt so downright ashamed of my country when I saw Rahman perform the much acclaimed Jai Ho with a host of dancers.Why haven’t we been able to get the fact straight that it was a foreign film,made entirely by foreigners.Only the location and the actors were of Indian origin.When Shilpa Shetty won the Bigg Brother,nothing else was discussed and printed in the tabloids for a month.Why all this hoopla?Just coz’ she won a reality show?Or was it because it was a UK based reality show.Would we have cared that much if she had won the Big Boss here in India?When an Indian American wins the spelling bee contest in the US,its great news back here.When one of our actors collaborates with the Western people,we are on cloud nine.A reality check.What happened to the much publicized and much talked about Ash’s role in Pink Panther?Similarly,Sushmita’s Karma confessions and Holi,a project with Robert deNiro’s daughter Drena was a dud.
In spite of all the rejections,we still harbour positive feelings for the Western industry and still hope to become an integral part of it.My question is,why?For God’s sake,why?Don’t we have any sort of self respect left anymore?All our movies which are sent to the Oscar committee with a lot of smugness on the part of the producers and a lot of aplomb on the part of the Indian people,not one has ever made it to the top five.Reason?None of them are original in thought nor they have a solid storyline.Because we lack a strong script,we attempt to fill the void with meaningless dances,weird sounding dialogues and a general poor finish to the already dwindling story.No wonder our movies are never considered for their top five.
Another question.Why do we standardize the Oscar as the most important and most valued award in the world?What is wrong with our own National Awards?Why is it that only if you wear an Armani suit or a Versache gown and splatter yourself with Swarovski crystals and walk on the red carpet with your arm candy are you considered successful in the movie business?Is there a heavenly order which says,”Thy shall consider the Oscar to be the ultimate award?”.No.The Oscar is just another award,which is given to the best in the Western film industry.Just like the Filmfare awards are given over here.I suspect that all the awards are rigged,but that is another topic.If an actor gets a National Award,he must consider himself lucky to get a paragraph’s worth of attention in the papers the next day.National award winners are,for some unfathomable reason,considered to be serious,nonsmiling actors and also given roles which reinforces the absurd notion.Have you seen Seema Biswas dancing around an oak?Have you ever seen Om Puri or a Sanjeev Kapoor doing anything but the so called “character actor” roles?We all have a PhD in stereotyping people and actors are no exception.If a mainstream actor does an “offbeat” role,he or she is showered with accolades and the Critics’ awards.Nowhere else do we have categories like “art film” and “mainstream” and “masala film”.Masala film?What did you put in it,ground cardamom and fenugreek?Are you making a movie or an eatable?
What was my point anyway?Oh,Bollywood.All I am saying is,instead of having the Mumbai film industry dominate the rest of the country,the other states should actively promote their own kind of films.India is not made up of Mumbai alone,there are a lot many states with a whole lot of talent which are yet to be tapped.If we start looking inwards instead of outwards,there will be no more reason to ape the West and get “inspired”.The West will look towards us.

Advertisements

7 thoughts on “>What Is Bollywood?

  1. >Hmmm…now this comes out downright frm a viewer who has just seen kambaqt ishq and more of the latest rubbish releases…they are N in numbers.well with satellite tv's cd's and now world wide releases the imitation's does look a desperation…look at THE SILENCE OF THE LAMBS.every dialouge is a ditto.look at KAYAMAT,they raped all the goodworks of THE ROCK.The stunts of MATRIX is everyones's property…what hurts me most these movies do get viewers.awards and accolades…i don't believe it in much,if some one can justify an award to KRISH and not to A WEDNESDAY.I personally believe regional cinema has done better than the hindi film industry, especially the bengali films.they have stories to tell.and some times they do make us believe Satyajit ray and bimal roy belong to indian cinema's.this is a time of impotency in penmanship,apart frm gulzar and occasionaly javed akhtar,i dont remember any names who writes gud lyrics in the current crop(prasoon joshi comes closer). look at those lyrics of shailendra,anjaan,sahir..and you can find the difference.those were real gems. well this is sad to know "tu saala kaam se gaaya" are latest blockbusters.models are the actors,and anyone who can sulk and weep ,draw few emotions, generally based on regional votes can be a singer.truely bollwood is the word fr the indian film industry, copy cat of the western hollywood!hence prooved!

  2. >well i couldn't complete my post..as i was not sure of characters…here goes a little incident…Majrooh Sultanpuri and Shailendra were favorite song writers of Kishore, he would request them to write all the songs for his home productions. In the days when composers would recommend lyricists to producers, Shankar-Jaikishan (composers) had promised Shailendra that they would recommend him around, but didn't keep their promise, to which Shailendra sent them a note with the lines, "Chhoti Si Yeh Duniya Pehchaane Raaste Hain Kahin To Miloge Phir Poochhenge Haal", Shankar-Jaikishan realized what the message meant and having said, sorry turned the lines into a well know song.there were always messages and themes…which i find diminishing!!

  3. >Tu saala kaam se gaaya…are these even lyrics?Look at what we did with love.Kambakht ishq,ishq kameena…jesus christ.We even have lyrics to cater to the actor's narcissism."Bebo main Bebo" from KI is an example of that.What will we have next?Akki main Akki,boht peesi chakki?or SRK main SRK,hamesha kehta hoon KKKKKKKK…..kiran.God help us all.

  4. >Actually the term Hollywood in the series of wood is actually a logical name. It was named so because the place was surrounded by the woods Holly trees. But yeah.. Bolly, kolly,tolly and golly are baseless.Regional movies are good I agree and one must definitely watch the masterpieces,but then don't you think that after a while it gets a tad trying to watch every movie with sub-titles? It does.And hence the less likeable options.

  5. >Oh this is interesting!! The lyrics- don't even get me started on them- I mean,how can you justify lyrics like "Tu sala kaam se gaya",or "Love mera hit hit soniye" accompanied with the typically dhinchak music.I rather admire Gulzar's versatility to have penned songs like Kajrare and Beedi Jalai le, without losing his grace-some really beautiful songs like 'Ay Hairathe Aashiqui' And I still can't believe we sent Paheli to the Oscars against Munnabhai MBBS.Sadly enough, a section of our audience hasn't evolved from the Govinda era- purple pants and green shirts accompanied by pelvic thrusts conviniently known as break dance- and mind you, this is a significant section of the urban audience that watches movies in multiplexes. For people living near Gandhinagar/Ahmedabad,just make a trip to R-world once, and you'd find this out for a fact :P. And as Abhishek rightly said- people still watch this shit. The issue is- we haven't yet learnt to draw a line between entertainment, shitty entertainment and serious moviemaking- and serious doesn't imply rona dhona, AKA Karan Johar movies, but those which strike a chord within- and very recent examples include Dev(NOT Dev D :P), and A WednesdayPhew!! You almost inspired me to write a similar post 🙂 Cool blog- adding you up on my blogroll!!

  6. >Thanks Kaushal.I agree,we are dumb people.We conveniently ignore films like A Wednesday,Bheja Fry,Khosla Ka Ghosla,Welcome to Sajjanpur and instead rave about Kambakht Ishq,Singh Is Kingg and other similar rubbish.God help us all.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s